Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Sunday, 17 December 2023

SUNDAY BEST #357 - JAM FACTORY

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The Jam Factory movie theatres foyer in the Jam Factory, South Yarra, Melbourne. Deserted on a Sunday morning, and a tad creepy, despite the stained glass on the ceiling.

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Last week, Roentare in Melbourne had a some magnificent drone photos of our home city, Melbourne. Please visit his blog for more great shots.


Wednesday, 22 May 2019

THEATRE

The Princess Theatre is a 1488-seat theatre in Melbourne's East End Theatre District, Australia, and is the oldest continuous entertainment site on mainland Australia. It is listed by the National Trust of Australia and is on the Victorian Heritage Register. Entertainment on the site of today's Princess Theatre dates back to the Gold Rush years of 1854, when entrepreneur Tom Moore constructed a large, barn-like structure called Astley's Amphitheatre.

The venue featured a central ring for equestrian entertainment and a stage at one end for dramatic performances. It was named in honour of the Astley Royal Amphitheatre, also known as Astley's Amphitheatre, near Westminster Bridge, London. In 1857, the amphitheatre was extensively renovated and the façade extended, re-opening as the Princess Theatre and Opera House. By 1885, the theatre came under the control of 'The Triumvirate', a partnership between J. C. Williamson, George Musgrove and Arthur Garner. The existing theatre had become rundown, and so the Triumvirate resolved to demolish the existing building.

The new theatre, designed by architect William Pitt, interiors designed by George Gordon, and built by Cockram and Comely, was completed in 1886 at a cost of £50,000. The design is in the exuberant Second Empire style, and the theatre forms part of the Victorian streetscape of Spring Street. When completed, it featured Australia's first sliding or retractable roof and ceiling. It also featured state-of-the-art electrical stage lighting. The theatre re-opened, again, on 18 December 1886, with a performance of Gilbert and Sullivan's "The Mikado". The marble staircase and foyer was hailed as equal to that of the Paris Opera, the Frankfurt Stadt and the Grand in Bordeaux.

In 1922 the architect Henry Eli White was engaged to extensively renovate the auditorium and foyers, and add the grand copper awning. The New Princess Theatre reopened on 26 December 1922 with a performance of "The O'Brien Girl". In 1986, David Marriner purchased the theatre and commenced a renovation and refurbishment to restore the building to its 1922 state, and improve its technical capacity. The refurbished theatre reopened on 9 December 1989 with the musical "Les Misérables", followed by "The Phantom of the Opera", which established a new record for the longest running show ever staged in Victoria.

The theatre has experienced several reported ghost sightings. On the evening of 3 March 1888, the baritone Frederick Baker, known under the stage name "Frederick Federici", was performing the role of Mephistopheles in Gounod's opera Faust. This production ended with Mephistopheles sinking dramatically through a trapdoor returning to the fires of hell with his prize, the unfortunate Dr Faustus. As Federici was lowered down through the stage into this basement, he had a heart attack and died almost immediately. He never came back onstage to take his bows, but when the company was told of what had happened at the end of the opera, they said that he had been onstage and taken the bows with them. Since then, various people have claimed to see a ghostly figure in evening dress at the theatre. For many years, a third-row seat in the dress circle was kept vacant in his honour...

This post is part of the Wordless Wednesday meme,
and also part of the ABC Wednesday meme.





Tuesday, 23 April 2019

SINGAPORE CHINESE OPERA

Singapore has a lively cultural scene with many events staged by both local and international artists. There is the renowned Singapore Symphony Orchestra, the Singapore Lyric Opera company, the Singapore Dance Theatre, theatre, numerous galleries, museums, artistic and cultural groups that reflect the multicultural community of this small but extremely successful Asian nation. One is constantly reminded of this mixed population by the signage, which is in the four official languages of English, Malay, Chinese (Mandarin), and Tamil. Singaporean culture is best described as a melting pot of mainly Chinese, British, Malay and Indian cultures - a reflection of its immigrant history.

Although the Western influence is still strong (remembering the British were here from 1819 till 1965), the Asian flavour of the culture is ineluctable and constantly reminds one that Singapore is a strongly Asian nation. Of its permanent residents (3.75 million), close to three quarters are Chinese, 13% are Malay and 10% Indian. However, it should be kept in in mind that Singapore has the sixth-highest percentage of foreigners globally, with about forty percent foreign nationals working and living here, bringing the population up to just over 5 million). This mix of people and cultures and cultures makes the country an interesting and vibrant place to be in, especially when looking at the cultural scene. The successful economy and subsidisation by the state of many artistic and cultural bodies ensures that art and culture receive strong government support.

Traditional Chinese opera (Chinese: 戲曲; pinyin: xìqǔ), or Xiqu, is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century during the Song dynasty (960–1279). Early forms of Chinese theatre are simple, but over time they incorporated various art forms, such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms to become traditional Chinese opera.

For centuries Chinese opera was the main form of entertainment for both urban and rural residents in China as well as the Chinese diaspora. Its popularity declined sharply in the second half of the 20th century as a result of both political and market factors. Chinese opera is no longer part of the popular Chinese culture, especially for young people, but it remains an attraction for many older people who find in it, among other things, a national or regional identity. For the Chinese diaspora in Singapore, Chinese opera is a popular entertainment, with often lavish productions being staged regularly.

This post is part of the Our World Tuesday meme,
and also part of the Ruby Tuesday meme,
and also part of the Travel Tuesday meme,
and also part of the Wordless Wednesday meme.